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Hamlet – Ophélie (Opera North) - The Guardian reviewed: Saturday, September 23, 1995 by Andrew Clements “Rebecca Caine elegantly negotiates her way through Ophelia’s vocal filigree and makes her suicide – easing her way into a mirrored pool as if she were entering some kind of sensory depravation chamber – more effecting than at first it promised to be”. Hamlet – Ophélie (Opera North) - The Times reviewed: by Rodney Milnes“As Ophelia, Rebecca Caine is no shrinking violet or twittering nightingale: she uses lots of voice and really attacks her lines, not perhaps wholly idiomatic but enormously likeable” |